HAZE : A Summer Group Exhibition
June 28, 2012 — August 24, 2012
Peri Schwartz
Studio XIX, 2007
Oil on canvas
54 x 46 inches
Robert Llewellyn
Allium Flower (Allium “purple sensation”), 2011
Archival pigmented print on watercolor paper
Edition of 25
24 x 35 inches
Edward Thomas
Rivianna, Clearing Sky, Fall Just Around the Corner, 2009
Oil on panel
12 3/4 x 17 1/4 inches
Marjorie Perrin
Oranges & Silver, 2012
Oil on canvas
8 x 10 inches
Eleanor Rufty
Turning Point, 2012
Oil on panel
18 x 18 inches
Alyssa Salomon
Acts From The Circus Grillparzer: Bear’s Dream, 2011
Screen print & cyanotype photograph over gouache, unique
16 1/4 x 13 1/2 inches
Alyssa Salomon
Acts from the Circus Grillparzer: The Great Leap, 2011
Cyanotype photogram over gouache, unique
16 1/4 x 13 1/2 inches
Julian Jackson
Chakra I, 2011
Oil on wood panel
22 x 20 1/2 inches
Leslie Van Stavern Millar II
Clock - Clubmoss, (From The Virginia Flower Collection), 2012
Encaustic on wood
4 x 4 x 1 inches
Leslie Van Stavern Millar II
Clock - Red Columbine, (From The Virginia Flower Collection), 2012
Encaustic on wood
2 1/4 x 3 1/2 x 1 inches
Leslie Van Stavern Millar II
Clock - Red Trillium, (From The Virginia Flower Collection), 2012
Encaustic on wood
4 1/4 x 3 3/4 x 1 inches
James Stroud
Urban Grid 20, 2008-09
Oil and acrylic on aluminum
22 x 18 inches
Jim Dine
The Orange Birthday Robe, 2012
Lithography, woodcut, copperplate etching, and rubber stamp
Edition of 28
54 1/2 x 38 1/2 inches
William Steiger
Blue Wonderwheel, 2009
Soft-ground and aquatint etching
Edition of 30
21 1/2 x 28 3/4 inches
Sue Williams
The Wiggliness, 2004
Silkscreen
Edition of 35
35 x 45 1/2 inches
Kenneth Noland
Days and Nights, 2008
Stenciled handmade paper
Edition of 50
42 1/2 x 39 1/2 inches
FOR IMMEDIATE RELEASE:
HAZE: A SUMMER GROUP EXHIBITION AT PAGE BOND GALLERY, THURSDAY, JUNE 28, 2012.
The Page Bond Gallery is pleased to present Haze, a selection of works by Liz Akamatsu, Isabelle Abbot, Robin Braun, Karen Blair, Dragana Crnjak, Piero Fenci, Robert Llewellyn, Ann Lyne, Sarah Irvin, Julian Jackson, Amanda Means, Leslie Millar, Tim O’Kane, Corey Pemberton, Fiona Ross, Eleanor Rufty, Alyssa Salomon, Peri Schwartz, Bob Strini, Randy Toy, Kazaan Viveiros, and Brenda Hope Zappitell.
Piero Fenci is primarily known for his ceramics, and he draws inspiration from media as diverse as Japanese Muromachi armor, Etruscan pottery, and American Shaker craft. Fenci’s artistic process is “elegant and simple” and above all, guided by intuition. Fenci has said about his work “I do not want my work to reflect the traditional ceramic Leach / Hamada tradition of the functional pot. I want my work to be surprising, an invention never seen before, a decorative move based on objects, mostly not made out of clay, that were once totally functional.” In an age of mass-production, his functional objects are novel for their handmade character and the intimate connection they suggest between artist and viewer
Seasoned painter Ann Lyne’s sumptuous, highly worked surfaces are part abstract pattern and part observational study. Her distinctive style has evolved over the more than five decades she has been in practice. Her works are recognizable by their expressive, painterly brush strokes and the warmth and purity of their light. Lyne’s works are inspired by vignettes of her own garden and the countryside of Virginia. Charged with energy and individuality, they are a record of the joyful process of their making.
Alyssa Salomon is a Virginia-based photographer who has revived the nineteenth-century photographic process called cyanotype, based on the chemistry of iron salts, which imbues her images with a lavish antique Prussian Blue. Her dream-like images suggest excerpts from a collective memory. Salomon writes, “For the viewer, I hope these works recall an abundance of sights seen, held dear, and linked by recollection—scenes gathered through binoculars and focused eye, from shore and balcony, beyond the fence and within one’s garden.”
Brenda Hope Zappitell is a contemporary Abstract Expressionist painter based in Florida. Her shimmering, animated paintings are the result of her ongoing exploration of the medium of acrylic painting. In the tradition of expressionism, Zappitell’s paintings exhibit the active gestures of her brushstrokes, implying the time and duration involved in the artistic process, and allowing glimpses into the previous incarnations of each painting. Their active, gleaming surfaces reward extended viewing and celebrate the unique role of the artist’s hand in creation.
An opening reception for the artists will take place at the Page Bond Gallery on Thursday, June 28, from 7:00 to 9:00 pm. The exhibition will remain on view through Friday, August 24.