HAZE : A Summer Group Exhibition

June 28, 2012 — August 24, 2012

Hatteras Break Through,

Andras Bality
Hatteras Break Through, 2012
Oil on canvas
10 x 12 inches

Kitty Hawk Boogie Boarders,

Andras Bality
Kitty Hawk Boogie Boarders, 2012
Oil on canvas
10 x 12 inches

Splintered,

Elizabeth Akamatsu
Splintered, 2004
Unique cast bronze
82 x 6 x 7 inches

Studio XIX,

Peri Schwartz
Studio XIX, 2007
Oil on canvas
54 x 46 inches

Allium Flower (Allium “purple sensation”),

Robert Llewellyn
Allium Flower (Allium “purple sensation”), 2011
Archival pigmented print on watercolor paper
Edition of 25
24 x 35 inches

Appalachian Trail,

Karen Blair
Appalachian Trail, 2012
Oil on canvas
48 x 36 inches

Shifting,

Brenda Hope Zappitell
Shifting, 2012
Acrylic with cold wax on panel
48 x 48 inches

Monoscape 36,

Randy Toy
Monoscape 36, 2012
Monotype
29 x 22 inches

Carolina’s Last,

Isabelle Abbot
Carolina’s Last, 2011
Oil on canvas

Rivianna, Clearing Sky, Fall Just Around the Corner,

Edward Thomas
Rivianna, Clearing Sky, Fall Just Around the Corner, 2009
Oil on panel
12 3/4 x 17 1/4 inches

Oranges & Silver,

Marjorie Perrin
Oranges & Silver, 2012
Oil on canvas
8 x 10 inches

Capriccio Study 1,

Frederic Crist
Capriccio Study 1, 2012
Forged steel
24 x 19 x 12 inches

Helmet and Shield,

Piero Fenci
Helmet and Shield, 2010
Low fire ceramic
27 x 20 x 10 inches

Turning Point,

Eleanor Rufty
Turning Point, 2012
Oil on panel
18 x 18 inches

Times Window,

Eleanor Rufty
Times Window, 2012
Oil on canvas
44 x 34 inches

Coil 2,

Corey Pemberton
Coil 2, 2012
Blown glass
10 x 5 inches

Acts From The Circus Grillparzer: Bear’s Dream,

Alyssa Salomon
Acts From The Circus Grillparzer: Bear’s Dream, 2011
Screen print & cyanotype photograph over gouache, unique
16 1/4 x 13 1/2 inches

Acts from the Circus Grillparzer: The Great Leap,

Alyssa Salomon
Acts from the Circus Grillparzer: The Great Leap, 2011
Cyanotype photogram over gouache, unique
16 1/4 x 13 1/2 inches

Is It Like Today? #4,

Fiona Ross
Is It Like Today? #4, 2012
Acrylic on yupo
40 x 25 inches

Chakra I,

Julian Jackson
Chakra I, 2011
Oil on wood panel
22 x 20 1/2 inches

Coil 1,

Corey Pemberton
Coil 1, 2012
Blown glass
8 1/2 x 6 inches

Untitled,

Ann Lyne
Untitled, 2012
Oil on linen
36 x 48 inches

Charm,

Sarah Irvin
Charm, 2012
Handmade cotton paper, cotton quilting thread, wood
6 x 3 x 4 inches

Productive,

Sarah Irvin
Productive, 2012
Acrylic and Carbon Transfer on Twinrocker Paper
14 x 14 inches

Clock - Clubmoss, (From The Virginia Flower Collection),

Leslie Van Stavern Millar II
Clock - Clubmoss, (From The Virginia Flower Collection), 2012
Encaustic on wood
4 x 4 x 1 inches

Clock - Red Columbine, (From The Virginia Flower Collection),

Leslie Van Stavern Millar II
Clock - Red Columbine, (From The Virginia Flower Collection), 2012
Encaustic on wood
2 1/4 x 3 1/2 x 1 inches

Clock - Red Trillium, (From The Virginia Flower Collection),

Leslie Van Stavern Millar II
Clock - Red Trillium, (From The Virginia Flower Collection), 2012
Encaustic on wood
4 1/4 x 3 3/4 x 1 inches

Coil 4,

Corey Pemberton
Coil 4, 2012
Blown glass
14 x 4 1/2 inches

House #4,

Dragana Crnjak
House #4, 2006
Charcoal, Pastel on Paper
42 x 42 inches

Water Glass 1,

Amanda Means
Water Glass 1, 2011
Silver gelatin print
Edition 2 of 5
49 x 41 inches

Urban Grid 20,

James Stroud
Urban Grid 20, 2008-09
Oil and acrylic on aluminum
22 x 18 inches

Figs / Open Box,

Tim O'Kane
Figs / Open Box, 2012
Oil on panel
9 x 13 3/4 inches

Coil 5 (Swirls),

Corey Pemberton
Coil 5 (Swirls), 2012
Blown glass
8 1/2 x 6 inches

Blue Sky with Wave, Chincoteague, Virginia,

Robin Braun
Blue Sky with Wave, Chincoteague, Virginia, 2009
Oil on panel
24 x 36 inches

Silvery Wave,

Robin Braun
Silvery Wave, 2012
Oil on panel
5 x7 inches
SOLD

Hazey Dusk,

Robin Braun
Hazey Dusk, 2012
Oil on panel
6 x 6 inches
SOLD

Breaking Wave,

Robin Braun
Breaking Wave, 2012
Oil on panel
5 x 7 inches
SOLD

The Orange Birthday Robe,

Jim Dine
The Orange Birthday Robe, 2012
Lithography, woodcut, copperplate etching, and rubber stamp
Edition of 28
54 1/2 x 38 1/2 inches

Blue Wonderwheel,

William Steiger
Blue Wonderwheel, 2009
Soft-ground and aquatint etching
Edition of 30
21 1/2 x 28 3/4 inches

The Wiggliness,

Sue Williams
The Wiggliness, 2004
Silkscreen
Edition of 35
35 x 45 1/2 inches

Days and Nights,

Kenneth Noland
Days and Nights, 2008
Stenciled handmade paper
Edition of 50
42 1/2 x 39 1/2 inches

Blue Flowers,

Donald Baechler
Blue Flowers, 1997
Stenciled handmade paper
Edition of 22
33 1/2 x 23 inches

Untitled #9,

Pat Steir
Untitled #9, 2011
Silkscreen monotype with hand-coloring
Unique
28 x 38 inches

Untitled,

Tara Donovan
Untitled, 2012
Relief print from pin matrix
Edition of 30
31 3/4 x 31 5/8 inches

FOR IMMEDIATE RELEASE:

HAZE: A SUMMER GROUP EXHIBITION AT PAGE BOND GALLERY, THURSDAY, JUNE 28, 2012.


The Page Bond Gallery is pleased to present Haze, a selection of works by Liz Akamatsu, Isabelle Abbot, Robin Braun, Karen Blair, Dragana Crnjak, Piero Fenci, Robert Llewellyn, Ann Lyne, Sarah Irvin, Julian Jackson, Amanda Means, Leslie Millar, Tim O’Kane, Corey Pemberton, Fiona Ross, Eleanor Rufty, Alyssa Salomon, Peri Schwartz, Bob Strini, Randy Toy, Kazaan Viveiros, and Brenda Hope Zappitell.

Piero Fenci is primarily known for his ceramics, and he draws inspiration from media as diverse as Japanese Muromachi armor, Etruscan pottery, and American Shaker craft.  Fenci’s artistic process is “elegant and simple” and above all, guided by intuition.  Fenci has said about his work “I do not want my work to reflect the traditional ceramic Leach / Hamada tradition of the functional pot.  I want my work to be surprising, an invention never seen before, a decorative move based on objects, mostly not made out of clay, that were once totally functional.”  In an age of mass-production, his functional objects are novel for their handmade character and the intimate connection they suggest between artist and viewer

Seasoned painter Ann Lyne’s sumptuous, highly worked surfaces are part abstract pattern and part observational study.  Her distinctive style has evolved over the more than five decades she has been in practice.  Her works are recognizable by their expressive, painterly brush strokes and the warmth and purity of their light.  Lyne’s works are inspired by vignettes of her own garden and the countryside of Virginia.  Charged with energy and individuality, they are a record of the joyful process of their making.

Alyssa Salomon is a Virginia-based photographer who has revived the nineteenth-century photographic process called cyanotype, based on the chemistry of iron salts, which imbues her images with a lavish antique Prussian Blue.  Her dream-like images suggest excerpts from a collective memory.  Salomon writes, “For the viewer, I hope these works recall an abundance of sights seen, held dear, and linked by recollection—scenes gathered through binoculars and focused eye, from shore and balcony, beyond the fence and within one’s garden.”

Brenda Hope Zappitell is a contemporary Abstract Expressionist painter based in Florida.  Her shimmering, animated paintings are the result of her ongoing exploration of the medium of acrylic painting.  In the tradition of expressionism, Zappitell’s paintings exhibit the active gestures of her brushstrokes, implying the time and duration involved in the artistic process, and allowing glimpses into the previous incarnations of each painting. Their active, gleaming surfaces reward extended viewing and celebrate the unique role of the artist’s hand in creation.

An opening reception for the artists will take place at the Page Bond Gallery on Thursday, June 28, from 7:00 to 9:00 pm.  The exhibition will remain on view through Friday, August 24.